Guitar Instructional DVD: Become A Great Performer

Knowing the fact that the approach you use to learn the guitar is the key-determining factor in your success or failure to actually learn, these three conclusions follow:

Despite the fact that many successful don’t really talk much about this, you can find some that do. Believe me, becoming successful is a lot more than just practicing and luck! REMEMBER that their strategies won’t necessarily work for you because your goals may be different than theirs were. Still you can learn from it.

Believe in yourself. You have probably heard that phrase many times before. Its unfortunate how many people still refuse to invest their own beliefs into themselves. I wrote an article on Perseverance which deals indirectly with believing in yourself. Please read it if you have a problem believing that you can reach your goals.

You may need to revise certain aspects of your strategy as time goes on and that’s ok, but don’t try to go forward without one if you want the maximum results in the shortest amount of time. In my early days learning to play guitar, I wasted a lot of time aimlessly desiring to get better without having a clue as to how to plan for it. Sure I practiced a lot, but without direction and without an efficient path to follow. Most of my substantial progress as a musician came only after I developed a strategy and worked with it.

The way you view yourself (as an artist and not merely someone who owns a guitar and plays it sometimes) is very important to the way you will think about what you are doing musically. The way you see yourself will also effect the results you will get as you are expressing yourself.

I notice the finger responsible for playing that note is the third finger. It is not getting to the note because it is going up in the air in reaction to the second finger being used right before it in that particular scale passage. In other words, it is tensing in reaction to the movement of it’s neighboring finger, and I have not been paying attention to it. I realize this is a bad habit that pervades my playing, a third finger that tenses up in reaction to the use of the second finger.

You can undo bad habits you have learned along the way. You can begin the process of undoing bad habits right away, when you begin to acquire the correct understandings, and use the approaches based on them.

Bar chords are what I am referring to. I am going to address the physical, technical aspects of learning these chords in a way that will enable you to avoid the difficulties that attend the learning of them for most players.

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